This one’s a personal favorite from the Motionpoems series I worked on. The poem centers on Andrew Wyeth—an artist I’ve long admired—and something about it struck a chord. I approached it almost as a quiet imagining of his final moments, told in a visual language that echoed his own.

The drawings were done in charcoal, all by hand on paper, then scanned and animated digitally. I used ink drops to reveal each scene—something that felt both intimate and imperfect, which felt right for Wyeth. There’s a stillness to his work that I wanted to preserve, even as the frames moved.