This was one of those wonderfully over-the-top shoots that had just about everything: mechanically shifting rooms, green screen windows, and the kind of precise choreography that makes you hold your breath between takes. I was on set as VFX supervisor, trying to keep pace with a set that was practically a character in itself.

In the end, it all came together—a blend of practical effects, real moving pieces, and just the right amount of CG to stitch it into something seamless. A little madness, a lot of coordination, and a pretty cool final product.